Upcoming Events at DC9 Nightclub
Description
Current Swell are done with talking. “If this is our time, why don’t we take it?” singer Scott Stanton sings on Current Swell’s newest album. “If this is our life, why would we waste it talking the night away?”
Event Details
The band have been talking for almost a decade, now, and — make no mistake — talking well at that.
And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway?
Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between.
And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower
songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance. Just because Swell are done with talking doesn’t mean they don’t have anything to say.
Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as yo
And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway?
Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between.
And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower
songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance. Just because Swell are done with talking doesn’t mean they don’t have anything to say.
Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as yo
